Reviewed · CHRISTMAS TOURS
Original Motown Christmas Tribute Show
The best part of the Original Motown Christmas Tribute Show is its mix of classic soul and holiday cheer. At GTS Theatre, you get a two-hour musical trip through the Motown era, with songs linked to Diana Ross, the Jackson 5, Stevie Wonder, and other Detroit greats. The cast keeps the room involved with clapping, singing, dancing, and even a Soul Train line.
I like the intimate theater setting, where the performers can connect directly with the audience. I also like the personal touches, including recognition for veterans, birthdays, anniversaries, and special serenades. The main thing to consider is Bronze seating: it is first come, first served, and some seats are in tight rows.
Key things to know before you go

- The show runs about two hours, making it an easy evening activity in Myrtle Beach.
- Music covers classic Motown and Christmas favorites, with songs connected to Diana Ross, the Jackson 5, and Stevie Wonder.
- Audience participation is part of the format, including clapping, singing, dancing, and a Soul Train segment.
- Bronze seating is first come, first served, so arriving early matters.
- Doors open 45 minutes before showtime, but late arrivals are not seated.
- The ticket costs about $64.23 per person, a fair price if you value live music and a full evening of entertainment.
A Christmas show built around Motown’s greatest hits

Motown music works well during the holidays because it is warm, rhythmic, and familiar. This show uses that appeal without turning the evening into a standard carol concert. You get Christmas songs, but the main flavor comes from the beat, vocal harmonies, choreography, and polished stage clothes associated with classic soul acts.
The musical story points back to Detroit in the 1960s and 1970s, when Motown artists helped bring Black American music to a broad national audience. You do not need to know every singer or song to enjoy the performance. The program is designed for recognition. One familiar chorus leads to another, and the room is encouraged to sing along.
The cast covers material associated with the Jackson 5 and Diana Ross, along with Stevie Wonder and other Motown-era performers. The exact order and song selection can change, but the format stays focused on well-known hits, Christmas numbers, and music from later in the 1970s.
I would expect the strongest response from people who already have a connection to this music. It can also work for younger family members, though the emotional pull will be greatest for anyone who remembers hearing these songs on the radio or at family gatherings.
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Inside GTS Theatre in Myrtle Beach
GTS Theatre is described as an intimate venue, and that detail matters. This is not a giant concert hall where the singers disappear into a distant stage. The smaller room helps the performance feel personal, especially during audience acknowledgments and serenades.
The theater is also decorated for the holiday season, adding a festive backdrop before the music starts. The atmosphere is more local cabaret than major touring production. That can be a plus if you want direct interaction and a friendly room rather than a formal, distant performance.
There is a snack bar, and merchandise such as shirts and CDs may be offered around the pre-show and intermission. If sales announcements bother you, keep that in mind. The show itself is not described as interrupted by sales pitches, but the theater does promote these extras before the performance and during intermission.
Some comments about the theater seating are worth taking seriously. Bronze seats can be arranged in tight rows, and the seating is not assigned. This means your position depends on when you arrive and how quickly you get settled. The experience is still reasonably priced for live entertainment, but you should not expect every Bronze seat to offer the same amount of space.
What happens during the two-hour performance

The show follows the idea of one person’s dream becoming music shared by everyone. That gives the program a loose narrative thread, but this is primarily a song-driven stage show rather than a traditional play.
You can expect the cast to move through familiar Motown songs, changing style and energy as the program develops. The performers use costume changes to mark different sections of the show. Several people specifically praised the wardrobe, and that makes sense for this kind of production. Motown was not only about sound. The gowns, suits, colors, and stage movement were part of the visual identity.
The vocal work is the main reason to book. The cast is built around singers who can handle distinct voices and musical styles. The program reaches beyond one narrow version of Motown, so you may hear a range of performers represented within the sound of the era.
A notable moment is the a cappella performance of O Holy Night. That offers a break from the full musical backing and puts the focus on vocal blend. It also gives the Christmas portion of the show a more traditional feel without abandoning the evening’s soul-music theme.
The program is designed to keep you active rather than quietly seated. You may find yourself clapping, singing parts of familiar songs, or laughing at the lighter moments. During the Soul Train segment, people from the audience are invited to participate in a dancing line that moves around the room. You can join in or simply watch. There is no need to treat it like a serious dance audition.
The audience interaction is part of the appeal

This show does more than perform at you. The cast recognizes veterans and may acknowledge birthdays and anniversaries for people in the room. Couples celebrating milestones can be brought into the program with a serenade or special mention.
That personal approach is one of the strongest reasons to choose this production over simply listening to Motown recordings at home. The songs may be familiar, but the evening changes when the cast connects them to people sitting in the theater.
The interaction also explains why this show works well for birthdays, wedding anniversaries, and family outings. One couple used it as part of a 19th anniversary celebration, while another chose it for a 70th birthday. You should not book it expecting a private tribute arranged in advance unless the theater confirms that option, but the general format clearly leaves room for personal recognition.
The tone is friendly and geared toward a mature audience. Expect laughter, music, and a room where people may know one another or strike up conversations before the show. If you prefer a silent concert with no audience participation, this may feel too outgoing.
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Bronze seating and arrival advice

Your ticket provides Bronze seating, with seats assigned on a first-come, first-served basis. That is the most important practical detail in the entire booking.
Doors open 45 minutes before showtime, giving you a useful window to arrive, find your place, and settle in. I would use it. Arriving early gives you a better chance of choosing a seat that suits you and avoids a rushed entrance.
Doors close 10 minutes before showtime, and late arrivals will not be seated. Plan around that rule, particularly if you are coming from dinner or another Myrtle Beach attraction. Do not assume you can slip in during the first song.
A few comments suggest that seats booked directly through GTS Theatre may offer more space or a better location than Bronze seats purchased through an outside booking channel. The supplied details specifically confirm Bronze seating for this experience, so check the exact seating terms before paying if seat comfort is important to you.
The seating concern does not cancel out the value of the show, but it changes how I would rate the purchase. At $64.23 per person, I would arrive early and accept that the ticket buys access to the performance, not necessarily a premium chair or table.
Is $64.23 a fair price?

The price sits in the reasonable range for a two-hour live theater performance in a popular resort town. You are paying for singers, musicianship, costumes, a decorated venue, and a full evening program. The cast also provides the kind of audience contact that a recording or television special cannot offer.
The value is strongest if you enjoy Motown, holiday music, and live entertainment. It is also a practical choice when you want a scheduled activity that does not require a full-day commitment. Two hours leaves room for dinner before or after.
The value is less clear if you are mainly looking for a large-scale theater production, elaborate scenery, or assigned premium seating. This is a compact theater experience. Its appeal comes from the singers, familiar songs, and direct contact with the room, not from expensive stage effects.
I would also factor in the cost of snacks or merchandise only if you want them. They are available, but they are extras rather than part of the basic experience.
Who will enjoy this show most?
I would recommend the performance to couples, families, and friends who already enjoy classic soul music. It is particularly well suited to people looking for a nostalgic night out during the Christmas season.
You are likely to enjoy it if you want:
- Familiar songs rather than experimental music
- A lively show where clapping and singing are welcome
- A smaller venue with direct contact between cast and audience
- Costume changes and holiday decoration
- A chance to celebrate a birthday or anniversary in public
- A reasonably short evening activity in Myrtle Beach
I would be more cautious if you dislike audience participation, need generous legroom, or prefer formal assigned seating. The Bronze arrangement can be tight, and the show’s energy depends partly on your willingness to respond to the performers.
The program also appears best suited to a mature audience, though families can certainly attend. The music spans several decades, so parents, grandparents, and adult children may all find something familiar.
A practical plan for your evening

Allow enough time to reach GTS Theatre before the doors close. Since seating is first come, first served, arriving 30 to 45 minutes before showtime is the sensible approach, especially if you want to sit with your group.
Use the pre-show period to find your seats and get settled. If you want refreshments, the snack bar may be convenient. You may also hear announcements about merchandise before the performance begins or during intermission.
Once the show starts, expect a steady mix of songs and audience moments. Keep your phone quiet and be ready for the cast to address the room. If you are celebrating a birthday or anniversary, tell the theater when booking or ask staff about recognition, but understand that the information provided does not promise a private arrangement.
The free-cancellation policy gives you flexibility: cancel at least 24 hours before the start time for a full refund. Cancellations or changes made less than 24 hours before the performance are not refunded or accepted. Service animals are allowed, and most people can participate.
How the music compares with a standard Christmas concert
A standard Christmas concert may focus almost entirely on carols. This show uses Christmas as the frame, then fills the evening with Motown rhythms and pop-soul favorites.
That balance is useful if someone in your group likes holiday music while someone else prefers classic R&B. You may hear a familiar seasonal song followed by a lively Motown number, then move into music associated with the 1970s. The program does not ask you to choose between Christmas tradition and dance-floor energy.
The show also benefits from variety within the cast. Different singers bring different vocal colors, and the wardrobe changes help separate one musical section from another. That variety keeps the two-hour running time moving.
The one caution is volume. One person found the music too loud, while the theater states that its sound level is set around 82 decibels, comparable to a vacuum cleaner. That is presented as an acceptable level for the room, but sound comfort is personal. If you are sensitive to loud music, this is worth considering.
Should you book the Original Motown Christmas Tribute Show?
Book it if you want a friendly, song-filled Christmas evening with strong vocals, classic Motown material, costume changes, and plenty of audience involvement. The show offers good value for the price when you treat it as live cabaret in an intimate room rather than a major theater spectacle.
I would especially choose it for a birthday, anniversary, family outing, or first night of a Myrtle Beach holiday visit. Arrive early for Bronze seating, expect tight rows, and prepare to clap along. If you want a quiet concert or roomy premium seats, choose a different activity.
For Motown fans, the combination of familiar music, holiday songs, and personal recognition makes this a sensible Myrtle Beach booking. The theater’s small scale is both its strength and its limitation. Go for the singers and the shared energy, not for grand production effects.
FAQ
Where does the Original Motown Christmas Tribute Show take place?
The performance takes place at GTS Theatre in Myrtle Beach, USA.
How long does the show last?
The show lasts approximately two hours.
How much does the experience cost?
The listed price is $64.23 per person.
Which artists are represented in the show?
The program includes music associated with the Jackson 5, Diana Ross, and Stevie Wonder, along with other Motown-era performers and Christmas songs.
Is audience participation part of the performance?
Yes. You can expect clapping, singing along, dancing, and a Soul Train segment involving people from the audience.
What type of seating comes with this experience?
The ticket provides Bronze seating. Seats are first come, first served, so seating is not assigned in advance.
When should I arrive at the theater?
Doors open 45 minutes before showtime. Doors close 10 minutes before showtime, and late arrivals will not be seated.
Can I cancel for a refund?
Yes. You can cancel at least 24 hours before the experience start time for a full refund. Cancellations or changes made less than 24 hours before the start time are not accepted or refunded.
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